How to Get Your Child to Practice the Violin Without Sugar
3 CommentsBy Lostcheerio on Thursday, March 04, 2010 at 10:43 AM.
A reader of this blog asked me if I had any more good practicing tips, having found my doll concert post helpful in getting her five-year-old to practice. So here is another idea which can be adapted in many situations to make practicing more fun. And here's another picture of my baby playing the violin:
The general principle here is to make the practice a physical journey that the child can visualize and experience kinesthetically. Here are several ways to do that:
1. Create practice cards with location on them. Place them around the house (or outside!) with each card giving the next location. So hand the child a card that says "Bathroom, standing on the toilet." They go to the bathroom, climb on the toilet, and play their first song. There they find a card that says "In the doorway between the kitchen and the dining room." They go there, play their next song, and there they find a card that says "Hall closet." Or whatever. If Mom is traipsing along behind to help with position and pitch, you can't go wrong. After a few times of playing this, let the child be in charge of placing the cards before practice begins. You could even let the child make the cards, place the cards, and *you* be the one who has to find the next card and listen to a piece at each location.
2. If you have, like we have, a bunch of little toy houses and buildings, set up a little journey for a favorite toy or doll. The castle, the pirate ship, the beauty salon, Barbie's house, the treehouse... whatever you have for little destinations. Say, "Now, this Polly Pocket has to go to all of these places today and at each place she's going to hear a different piece of music. When she gets back to the beginning, practice is over." At each destination, the child plays another piece of her practice, and along the way, Polly Pocket can run into all kinds of problems: becoming extremely hungry, getting tired and wanting to give up, being chased by bears, being hounded by Paparazzi, etc. When Polly Pocket gets home, the practice is over: no exceptions! Polly is exhausted. If you need a more tangible variation, have Polly Pocket deliver marbles at each location, or pick up marbles from each destination.
3. A simple, portable version of this involves a little toy frog or bee and a piece of paper, and some tiny stickers. Draw ten (or however many) lily pads (or flowers), with the names of the songs on them... you can have multiple "Minuet 1" lily pads if that one needs to be repeated. When the frog has visited a lily pad, the child can put a sticker on it or color part of it in. There should be seven stickers on each lily pad (or seven petals of the flower colored in) at the end of the week, then the child can turn in the whole thing for a reward. Moving the frog around the paper lets them keep track of their progress and gives them a sense of what's coming up.
I'm sure you can think of lots of other variations on this theme, using the idea that a violin practice can be mobile, visible, tangible, and progress can be marked in space. Be as goofy as possible, and don't worry about "Well, this is working now, but what about next week?" Next week, if you need to, you'll think of something else. Maybe that thing will involve sugar. But most likely, once your child gets accustomed to practicing "with joy" because you're turning yourself inside out to make it fun, you won't need all the bells and whistles to get a good practice. Everything goes in cycles, I have found. If you get yourself through a rough patch by pulling out all the stops with fun games and adventures, you'll find yourself on the other side with a happier child and a new attitude.
Labels: advice, how to, practicing, suzuki, suzuki violin, violin
I have no superlatives left for the Suzuki teachers at the Academy of Music. Over the years I have ranted and raved about their greatness to the point that I must sound like a broken record, both to them and to the people I'm informing about them. I will tell you this, though: In a world where summer camp has become another way to warehouse your children so you can work, and parents expect very little for the money they pay to get someone to take their kids off their hands for another week of summer "vacation," the Suzuki summer camp at the Academy of Music is a gem. Children learn. A lot. Children experience new things, grow as musicians, have enriching experiences, expand their musical horizons, and come away inspired and informed. Okay, there, apparently I had more to say!
Here are some pictures and a video. More pictures and videos are in my Flickr gallery.
Sadie in her performance on the final day:
Sadie and good buddy Miranda:
The kids learned a cool dance to Musette:
Here's a way even the littlest ones can play along with the Bach Double. This was very cool for Sadie for sure, because she has heard Benny play this a lot. Now she can play a little of it:
Thank you, thank you, as always, Mrs. Ford, Mrs. Morton, Mrs. Van Gomple, and the lady who's been teaching both my kids for the last six months and doing such a fabulous job, Mrs. Stevens! Yay for all of you -- you gave my child a fun and meaningful week and I'm very grateful.
Here are some pictures and a video. More pictures and videos are in my Flickr gallery.
Sadie in her performance on the final day:
Sadie and good buddy Miranda:
The kids learned a cool dance to Musette:
Here's a way even the littlest ones can play along with the Bach Double. This was very cool for Sadie for sure, because she has heard Benny play this a lot. Now she can play a little of it:
Thank you, thank you, as always, Mrs. Ford, Mrs. Morton, Mrs. Van Gomple, and the lady who's been teaching both my kids for the last six months and doing such a fabulous job, Mrs. Stevens! Yay for all of you -- you gave my child a fun and meaningful week and I'm very grateful.
Labels: camp, suzuki, suzuki violin, violin, violin camp
Silly Suzuki: Silly Words to Allegretto
0 CommentsBy Lostcheerio on Thursday, April 30, 2009 at 10:04 AM.
Allegretto can be hard to learn because the sections are so similar and share elements. These words reinforce the ABCB form of the song, which is why the "sticks in my hair" part is repeated, and they are meant to be sung by the teacher and the student, with the teacher singing the part in italics.
Can I play Allegretto with beans in my nose?
Would there be any argument, do you suppose?
Can I play Allegretto with sticks in my hair?
Do you think that my teacher would care?
I don't care what you put in your hair or your nose
Just as long as you know where your fourth finger goes!
Can I play Allegretto with sticks in my hair?
Do you think that my teacher would care?
Can I play Allegretto with beans in my nose?
Would there be any argument, do you suppose?
Can I play Allegretto with sticks in my hair?
Do you think that my teacher would care?
I don't care what you put in your hair or your nose
Just as long as you know where your fourth finger goes!
Can I play Allegretto with sticks in my hair?
Do you think that my teacher would care?
Labels: allegretto, lyrics, silly suzuki, suzuki, suzuki violin, violin
Silly Suzuki: Silly Words for Go Tell Aunt Rhody
1 CommentsBy Lostcheerio on Tuesday, April 21, 2009 at 7:46 AM.
Princess Go Tell Aunt Rhody:
Go tell Aunt Rhody I'm a princess now
Go show her all my shoes and pretty clothes
Tell her I like to play the violin
Tell her I like to play the flute
Go tell Aunt Rhody I'm a princess now
Go show her all my shoes and pretty clothes.
Plant Cell Go Tell Aunt Rhody:
Go tell Aunt Rhody I'm a chloroplast
Go show her all my stacks of thylakoids
Tell her I'm green because of chlorophyll
Tell her I make light into food
Go tell Aunt Rhody how I make the food
Carbon Dioxide, water and the sun.
For those who are keeping score at home: When I'm done posting these, I will make a printer-friendly songbook as a PDF. Until then, you'll just have to cut and paste the words into notebook if you want to print.
Go tell Aunt Rhody I'm a princess now
Go show her all my shoes and pretty clothes
Tell her I like to play the violin
Tell her I like to play the flute
Go tell Aunt Rhody I'm a princess now
Go show her all my shoes and pretty clothes.
Plant Cell Go Tell Aunt Rhody:
Go tell Aunt Rhody I'm a chloroplast
Go show her all my stacks of thylakoids
Tell her I'm green because of chlorophyll
Tell her I make light into food
Go tell Aunt Rhody how I make the food
Carbon Dioxide, water and the sun.
For those who are keeping score at home: When I'm done posting these, I will make a printer-friendly songbook as a PDF. Until then, you'll just have to cut and paste the words into notebook if you want to print.
Labels: go tell aunt rhody, music, suzuki, suzuki violin, violin
Singing Suzuki: Silly Words for Lightly Row
2 CommentsBy Lostcheerio on Saturday, April 18, 2009 at 10:53 AM.
Lightly Row Princess:
Princess says, "Play with me!
At the castle come and see!
We'll ride ponies in the woods
And give them sugar if they're good.
Diamond is my favorite one
Hop on up and have some fun
When we're tired maybe we can
Have some chocolate cake for tea!"
Lightly Row Plant Cell Parts:
Plant cell wall, nucleus
Endoplasmic Reticulum
Vacuoles give shape to cells
And these are all the organelles
Chloroplasts turn light to food
then the mitochondria
Change the food to energy so
Plants can grow up big like me!
Labels: lightly row, music, suzuki, suzuki violin, violin
Not Very Suzuki At All: Confession of a Burned Out Violin Mom
9 CommentsBy Lostcheerio on Sunday, April 05, 2009 at 11:23 PM.
The Suzuki method is a triangle: the student, the parent, the teacher. For six years of Suzuki I have been an active part of this triangle with Benny and his teachers. I practice with my child, I play my violin along with him, I sit there alert and engaged at the lessons, I drive to group, I take him to workshops, camps, etc. I have put endless hours into this child's music education.
Two weeks ago, I decided I had had enough.
Picture a horse hitched to a stagecoach. The horse's agenda is to go as fast as possible. Never mind the safety of the passengers, the integrity of the coach itself, the driving conditions, the possible turns in the road. Then there's a driver. Her sole purpose is hauling on the reins. That's all she does, just pull back on the reins, with varying levels of frustration and patience, frustration and patience, yank yank yank. Occasionally the driver brings the horse to a halt, climbs down off the coach, and has a heart to heart talk with the horse. She explains all the logical reasons why this breakneck pace is not healthy or conducive to personal growth. During this conversation, the horse nods its head sagely, meanwhile tapping its hoof distractedly. When the stage driver gets back up on the coach again, the horse takes off at the exact same speed as before. Yank, yank, yank.
Horse = Benny. Stage driver = me.
Benny is in book 5. He is playing the third movement of the Vivaldi concerto in G minor. He cannot play this song, he cannot successfully pass this song, by ripping through it at maximum speed again and again. Repetitions at this speed do nothing to help him execute the song. What he needs to do is to slow down to a speed where he can play it absolutely correctly and in tune, and do a thousand repetitions. A thousand? Really? Yes. Suzuki would say, a thousand, in a slow tempo. This trains your hand and brain to correctly do the physical act of playing the song. Then when you take it up to speed, your reflexes take over. If you play it fast, you do not learn to play it right. You learn to play it messy. This is a tough piece, the toughest so far. It's not one he can just talent his way through.
So I said to his teacher, I can't do this anymore, it's so frustrating, I'm in this adversarial situation with my child, it's bleeding into other parts of our day, and I can't do this with joy, I can't approach practice with happiness, when I know that I'm going to fight with him the whole time.
His teacher, bless her heart, told me to take a break, let him practice on his own. That was two weeks ago. So, Benny has been practicing on his own. He is trying. He really is. He has in his mind what mature, independent practicing sounds like. He calls it "self-responsible." If he makes a mistake, he stops, dramatically fixes it, and then goes on. There's a lot of checking intonation with open strings. However, I know that what he's actually doing is teaching himself to play it wrong, and then fix it. You don't learn to play correctly by playing incorrectly and then fixing it, because then when you get to your lesson or in a performance situation, and you can't fix your mistakes, you're just left with the mistakes. Plus you're training your hand to play the wrong note by doing it over and over, regardless of whether you're fixing it or not! Not very Suzuki.
So, here we are. Lesson is tomorrow. He's not being very Suzuki and neither am I. I honestly don't know what the solution is. We can use a metronome, but that involves me standing there enforcing the metronome, measure by measure. Me as enforcer is the dynamic I'm trying to get away from. On the one hand, I want him to learn to practice on his own! When I was nine, I was doing it. On the other hand, I think maybe he isn't capable of practicing on his own yet, and what I'm doing by "taking a break" is just making things worse and being selfish.
I am overthinking it. I am complicating matters. But I just can't get my head around it -- I need help! And may I just say that it doesn't help that Sadie is so easy to practice. Oh yes, the Sadie/teacher/me triangle is fully functional. And maybe that's part of the problem too!
More Suzuki posts: Suzuki violin.
Two weeks ago, I decided I had had enough.
Picture a horse hitched to a stagecoach. The horse's agenda is to go as fast as possible. Never mind the safety of the passengers, the integrity of the coach itself, the driving conditions, the possible turns in the road. Then there's a driver. Her sole purpose is hauling on the reins. That's all she does, just pull back on the reins, with varying levels of frustration and patience, frustration and patience, yank yank yank. Occasionally the driver brings the horse to a halt, climbs down off the coach, and has a heart to heart talk with the horse. She explains all the logical reasons why this breakneck pace is not healthy or conducive to personal growth. During this conversation, the horse nods its head sagely, meanwhile tapping its hoof distractedly. When the stage driver gets back up on the coach again, the horse takes off at the exact same speed as before. Yank, yank, yank.
Horse = Benny. Stage driver = me.
Benny is in book 5. He is playing the third movement of the Vivaldi concerto in G minor. He cannot play this song, he cannot successfully pass this song, by ripping through it at maximum speed again and again. Repetitions at this speed do nothing to help him execute the song. What he needs to do is to slow down to a speed where he can play it absolutely correctly and in tune, and do a thousand repetitions. A thousand? Really? Yes. Suzuki would say, a thousand, in a slow tempo. This trains your hand and brain to correctly do the physical act of playing the song. Then when you take it up to speed, your reflexes take over. If you play it fast, you do not learn to play it right. You learn to play it messy. This is a tough piece, the toughest so far. It's not one he can just talent his way through.
So I said to his teacher, I can't do this anymore, it's so frustrating, I'm in this adversarial situation with my child, it's bleeding into other parts of our day, and I can't do this with joy, I can't approach practice with happiness, when I know that I'm going to fight with him the whole time.
His teacher, bless her heart, told me to take a break, let him practice on his own. That was two weeks ago. So, Benny has been practicing on his own. He is trying. He really is. He has in his mind what mature, independent practicing sounds like. He calls it "self-responsible." If he makes a mistake, he stops, dramatically fixes it, and then goes on. There's a lot of checking intonation with open strings. However, I know that what he's actually doing is teaching himself to play it wrong, and then fix it. You don't learn to play correctly by playing incorrectly and then fixing it, because then when you get to your lesson or in a performance situation, and you can't fix your mistakes, you're just left with the mistakes. Plus you're training your hand to play the wrong note by doing it over and over, regardless of whether you're fixing it or not! Not very Suzuki.
So, here we are. Lesson is tomorrow. He's not being very Suzuki and neither am I. I honestly don't know what the solution is. We can use a metronome, but that involves me standing there enforcing the metronome, measure by measure. Me as enforcer is the dynamic I'm trying to get away from. On the one hand, I want him to learn to practice on his own! When I was nine, I was doing it. On the other hand, I think maybe he isn't capable of practicing on his own yet, and what I'm doing by "taking a break" is just making things worse and being selfish.
I am overthinking it. I am complicating matters. But I just can't get my head around it -- I need help! And may I just say that it doesn't help that Sadie is so easy to practice. Oh yes, the Sadie/teacher/me triangle is fully functional. And maybe that's part of the problem too!
More Suzuki posts: Suzuki violin.
Labels: music, practicing, suzuki, suzuki violin, violin
Bach Festival 2008: Suzuki Violin Performance
5 CommentsBy Lostcheerio on Tuesday, December 02, 2008 at 10:09 PM.
Benny played with other students from the Academy of Music and Suzuki students from around Hampton Roads, at the Bach Festival, hosted by the Chrysler Museum. Here are a few pictures and videos. It was incredibly wonderful for Benny to have a chance to play with older children, and he really rose to the occasion. Definitely best ever effort at listening, following, and getting into step with the other kids. Seeing him play the Bach Double was very moving for me. I was very proud of him. He has worked very hard, and he also has a beautiful talent. And I love him.
A beautiful setting:
Serious artists:
Focus:
And Bach:
A beautiful setting:
Serious artists:
Focus:
And Bach:
Labels: bach, suzuki, suzuki violin, violin
Benny graduated Suzuki Book 4 at the Judy Blank Suzuki Violin Workshop. It was exciting. After he missed his official graduation recital because he was violently ill, it was a relief to be able to put on a suit coat and perform a couple of pieces to an audience, and be a certified, bonafide graduate.
Here he is doing one of his pieces:
So that's the end of Book 4. We're done with the unaccompanied Gavotte in Book 5 now, and polishing the 2nd movement of the Vivaldi in A minor, so now we've just started working on the first page of the G minor. Exciting.
I just want to take this time to unabashedly show off my children's violin position. They are awesome (which means, of course that their teachers are awesome).
Sadie participated in the workshop also. In her master class, we were congratulated on her awesome position, and Judy Blank just encouraged her to use more bow and produce more sound, and she gave us some games to play to help with that. She played Go Tell Aunt Rhody in her master class, and she's now learning May Song. Benny's master class was all about fingering and bowing stuff in the Bach Double -- different ways to practice hard passages. Neither got corrected on position, and I was so completely proud of them for being such cute little snickersnacks. I mean such fine musicians.
Here's Sadie's position:
I mean have you ever seen such a lovely bow hand on a four-year-old?
Here's Benny's:
His bow hand has come a long way, and his vibrato is now really amazing. He's matured so much as a musician in the last year -- I'm floored by him. There are many ways in which Benny is not the most mature 8 year old on the planet. However, being able to pull off that schmaltzy middle section in the third Seitz is something I have never been able to do convincingly, and he does it beautifully.
One more picture from the workshop, on the night of the potluck dinner. Yes, this is how I get results from my four-year-old! Artificial colors and flavors!
So here he is. Eight years old and on to Book 5. Suzuki forever!
Here he is doing one of his pieces:
So that's the end of Book 4. We're done with the unaccompanied Gavotte in Book 5 now, and polishing the 2nd movement of the Vivaldi in A minor, so now we've just started working on the first page of the G minor. Exciting.
I just want to take this time to unabashedly show off my children's violin position. They are awesome (which means, of course that their teachers are awesome).
Sadie participated in the workshop also. In her master class, we were congratulated on her awesome position, and Judy Blank just encouraged her to use more bow and produce more sound, and she gave us some games to play to help with that. She played Go Tell Aunt Rhody in her master class, and she's now learning May Song. Benny's master class was all about fingering and bowing stuff in the Bach Double -- different ways to practice hard passages. Neither got corrected on position, and I was so completely proud of them for being such cute little snickersnacks. I mean such fine musicians.
Here's Sadie's position:
I mean have you ever seen such a lovely bow hand on a four-year-old?
Here's Benny's:
His bow hand has come a long way, and his vibrato is now really amazing. He's matured so much as a musician in the last year -- I'm floored by him. There are many ways in which Benny is not the most mature 8 year old on the planet. However, being able to pull off that schmaltzy middle section in the third Seitz is something I have never been able to do convincingly, and he does it beautifully.
One more picture from the workshop, on the night of the potluck dinner. Yes, this is how I get results from my four-year-old! Artificial colors and flavors!
So here he is. Eight years old and on to Book 5. Suzuki forever!
Labels: suzuki, suzuki violin, violin
Maybe someday we'll be brave enough to attempt a Suzuki Institute with both the children, but for now there's the Academy of Music's Suzuki Camp. This year Sadie was able to go too:
She was, in fact, the tiniest one:
She was very excited to get her camp t-shirt and even submitted to the indignity of wearing PANTS in order to match the rest of the kids and wear her t-shirt today for the final show.
The teachers are very patient with Benny's behavior. With Sadie, they don't have to work so hard. For every Netzer that drives you insane but flies through the material, there's another Netzer that delights you with her model behavior but moves through the material at an apathetic pace. Something for everyone. Do you want to struggle with getting the kid to play or getting the kid to stop playing?
Summer camp is over for this year. We did Hurrah Players, Princess Dance Camp, Young Chef's Academy, and Suzuki Violin Camp. It's been a long few weeks for these homeschooled children who aren't accustomed to dealing with so many other people, so much structure. It was a learning experience for all of us.
She was, in fact, the tiniest one:
She was very excited to get her camp t-shirt and even submitted to the indignity of wearing PANTS in order to match the rest of the kids and wear her t-shirt today for the final show.
The teachers are very patient with Benny's behavior. With Sadie, they don't have to work so hard. For every Netzer that drives you insane but flies through the material, there's another Netzer that delights you with her model behavior but moves through the material at an apathetic pace. Something for everyone. Do you want to struggle with getting the kid to play or getting the kid to stop playing?
Summer camp is over for this year. We did Hurrah Players, Princess Dance Camp, Young Chef's Academy, and Suzuki Violin Camp. It's been a long few weeks for these homeschooled children who aren't accustomed to dealing with so many other people, so much structure. It was a learning experience for all of us.
This morning Benny spilled a bowl of milk right onto his CPU. He carried on playing Roller Coaster Tycoon, and when I entered the room and immediately exploded into space, he said, "It's okay, it's okay! None got into the keyboard!" Uh, right. And of course we are out of paper towels. So Dan and I leaped into action, pulling out all the plugs, wiping it down, swabbing it with dishtowels, etc. The 409. The little bits of cereal. The soppy disks.
So now Benny is in the living room with us watching CNBC. I'm answering emails. Dan is setting up his trades for the day. I asked if I could switch CNBC to something more Benny-friendly, and Dan said, "Benny, you know your computer is back up running. You can play it if you want." Benny said, "Oh, can I just wait until the Jobless Claims comes out at 8:30?"
HAHAHAHAHAHAHA!!!!! BABY DAN!!!!!
But the real point of my post is to report that the 50 day challenge has been transformative and wonderful for Sadie. When we started, she was not able to get through tuka-tuka-stop-stop without some help. Now, she is moving on to Lightly Row!!! In all the excitement of the science fair, I didn't even blog about her first recital. She played the new triplet variation of Twinkle Twinkle Little Star, and she was AMAZING AND WONDERFUL! Now she's learning A-steps-up-to-E-E-E. I think I can say now that we are over the twinkle hump, and we are on our way to playing real songs and making real music. She moved up to a 1/10th size violin, she practiced every day for 45 days, and here we are. Good old fifty-day challenge. Dan has increased his average speed, Benny has finished book four, and I have... been very proud of the accomplishments of my family members. ;D
So now Benny is in the living room with us watching CNBC. I'm answering emails. Dan is setting up his trades for the day. I asked if I could switch CNBC to something more Benny-friendly, and Dan said, "Benny, you know your computer is back up running. You can play it if you want." Benny said, "Oh, can I just wait until the Jobless Claims comes out at 8:30?"
HAHAHAHAHAHAHA!!!!! BABY DAN!!!!!
But the real point of my post is to report that the 50 day challenge has been transformative and wonderful for Sadie. When we started, she was not able to get through tuka-tuka-stop-stop without some help. Now, she is moving on to Lightly Row!!! In all the excitement of the science fair, I didn't even blog about her first recital. She played the new triplet variation of Twinkle Twinkle Little Star, and she was AMAZING AND WONDERFUL! Now she's learning A-steps-up-to-E-E-E. I think I can say now that we are over the twinkle hump, and we are on our way to playing real songs and making real music. She moved up to a 1/10th size violin, she practiced every day for 45 days, and here we are. Good old fifty-day challenge. Dan has increased his average speed, Benny has finished book four, and I have... been very proud of the accomplishments of my family members. ;D
Labels: suzuki, suzuki violin
I will not downplay the significance of this video for me as a parent. It is supremely satisfying for me to play this song with him. It makes me burst with pride and love. Here's Benny on Violin 2 and me on Violin 1. This video was taken over a month ago -- by this time he has all but learned the Violin 1 part. It's in Book 5 so he hasn't technically been given it as a piece yet, but he's picked most of it up by ear.
How to Get Your Three-Year-Old to Practice the Violin with Joy
9 CommentsBy Lostcheerio on Monday, October 22, 2007 at 12:11 PM.
With JOY? Yes, and joy without sugar! Now usually, I just use candy to produce joy. One tiny M&M per accomplishment yields enough joy to get us through an average day's practice. BUT! Let's say you have a moral opposition to M&Ms.
Or your child has just eaten the frosting off three cupcakes and you think the addition of one more chocolate molecule would turn her into a giant squid. Here's a game to play with a violin practice that will make it fun and sugar-free.
1. Make your programs!
How many times do you want your child to repeat her assignment? In Sadie's case, we are working on the very first part of variation A, and I want her to go through it six times per practice. So we made six programs. The programs were each 1/3 of a sheet of paper, and they said TUKA TUKA STOP STOP in big letters. Of course, this is a good time to practice letters. You will also need a sheet of stickers, any size, for later.
2. Collect your audience!
Walk through the house, with a megaphone if you have one, calling, "Who wants to come to a violin show?" Collect whichever dolls/toys/animals are interested in the performance. Arrange them like an audience, and distribute the programs. Of course, your violin student will want to participate in all this, as is right and proper and educational.
3. Start the show!
Give the child a big introduction and let him/her take over. You be the audience. Maybe the dolls will heckle, and have to be subdued. Maybe the animals will have many questions about the parts of the violin. Maybe the action figures will shriek for more, more, more Twinkle Little Star.
4. Bring on the stickers!
Every time the child plays the song (in Sadie's case the first phrase of Twinkle, all the way through, with violin hand and bow hand working together) she gets a sticker to put on the program of one of toys. Beware -- all the toys will clamor for a sticker and demand a certain one, or a certain color, and be difficult. When every program has a sticker, the practice is over, EVEN IF THE CHILD WANTS TO DO MORE. Next time, you can pass out the programs again, and everyone can get another sticker. Until then, Buzz Lightyear and Barbie will just have to hum Twinkle to themselves.
There you have it! Today's method. Is it worth it, for forty-eight tuka-tuka-stop-stops? Absolutely. Dr. Suzuki recommended five minutes with JOY. How we bring about the joy is up to us. Watch this space for more diabolical violin practice manipulations!
Edit: Hey, I just found a very cool post on awesome gadgety violin tricks from my friend Karen.
Or your child has just eaten the frosting off three cupcakes and you think the addition of one more chocolate molecule would turn her into a giant squid. Here's a game to play with a violin practice that will make it fun and sugar-free.
1. Make your programs!
How many times do you want your child to repeat her assignment? In Sadie's case, we are working on the very first part of variation A, and I want her to go through it six times per practice. So we made six programs. The programs were each 1/3 of a sheet of paper, and they said TUKA TUKA STOP STOP in big letters. Of course, this is a good time to practice letters. You will also need a sheet of stickers, any size, for later.
2. Collect your audience!
Walk through the house, with a megaphone if you have one, calling, "Who wants to come to a violin show?" Collect whichever dolls/toys/animals are interested in the performance. Arrange them like an audience, and distribute the programs. Of course, your violin student will want to participate in all this, as is right and proper and educational.
3. Start the show!
Give the child a big introduction and let him/her take over. You be the audience. Maybe the dolls will heckle, and have to be subdued. Maybe the animals will have many questions about the parts of the violin. Maybe the action figures will shriek for more, more, more Twinkle Little Star.
4. Bring on the stickers!
Every time the child plays the song (in Sadie's case the first phrase of Twinkle, all the way through, with violin hand and bow hand working together) she gets a sticker to put on the program of one of toys. Beware -- all the toys will clamor for a sticker and demand a certain one, or a certain color, and be difficult. When every program has a sticker, the practice is over, EVEN IF THE CHILD WANTS TO DO MORE. Next time, you can pass out the programs again, and everyone can get another sticker. Until then, Buzz Lightyear and Barbie will just have to hum Twinkle to themselves.
There you have it! Today's method. Is it worth it, for forty-eight tuka-tuka-stop-stops? Absolutely. Dr. Suzuki recommended five minutes with JOY. How we bring about the joy is up to us. Watch this space for more diabolical violin practice manipulations!
Edit: Hey, I just found a very cool post on awesome gadgety violin tricks from my friend Karen.
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Labels: how to, practice, sadie, suzuki, suzuki violin, violin
Suzuki Violin Workshop with Judy Blank
6 CommentsBy Lostcheerio on Saturday, October 13, 2007 at 11:39 AM.
Last weekend, Benny and Sadie attended a workshop with Judy Blank, a fabulous Suzuki expert from Ann Arbor, MI. The workshop included group classes, violin-related art classes, play-ins, and a master class with Mrs. Blank. It was a great experience for them, and also very interesting for me.
Watching the master classes was pretty incredible -- Mrs. Blank was like a doctor -- listening to each child play one song, diagnosing some certain issue, and giving the child a small, specific change that they could make in just a few minutes to improve their playing. Of course, all of this had to happen while using the most positive language, never making the child feel criticized or like there was something wrong. It was amazing how she accomplished this in such a short time with each child -- every one of them made a noticeable improvement. Truly a gift.
Here are some videos and pictures from the weekend:
Sadie was the smallest in her group and also the only girl! Sadie's group class with Mrs. Morton:
Mrs. Morton's early book one class doing Perpetual Motion:
At the first Play-in, playing Allegro like mosquitoes and elephants:
Benny and Mrs. Blank playing the first Seitz in Suzuki Book 4. Mrs. Blank had lots of silly stories to go along with the music, to help the kids understand the phrasing. We particularly enjoyed the one for Gavotte in G Minor which was all about the death of multiple goldfish.
More videos on my YouTube Channel.
Here's Sadie in her art class:
Benny and Sean hanging out between classes:
Sadie's group class:
Benny standing up for Seitz at the final play-in:
Benny and Mrs. Blank:
More photos on my Flickr.
We were very grateful for the experience. It made for a very interesting weekend. I think all the kids had a great time and will be looking forward to next year.
Watching the master classes was pretty incredible -- Mrs. Blank was like a doctor -- listening to each child play one song, diagnosing some certain issue, and giving the child a small, specific change that they could make in just a few minutes to improve their playing. Of course, all of this had to happen while using the most positive language, never making the child feel criticized or like there was something wrong. It was amazing how she accomplished this in such a short time with each child -- every one of them made a noticeable improvement. Truly a gift.
Here are some videos and pictures from the weekend:
Sadie was the smallest in her group and also the only girl! Sadie's group class with Mrs. Morton:
Mrs. Morton's early book one class doing Perpetual Motion:
At the first Play-in, playing Allegro like mosquitoes and elephants:
Benny and Mrs. Blank playing the first Seitz in Suzuki Book 4. Mrs. Blank had lots of silly stories to go along with the music, to help the kids understand the phrasing. We particularly enjoyed the one for Gavotte in G Minor which was all about the death of multiple goldfish.
More videos on my YouTube Channel.
Here's Sadie in her art class:
Benny and Sean hanging out between classes:
Sadie's group class:
Benny standing up for Seitz at the final play-in:
Benny and Mrs. Blank:
More photos on my Flickr.
We were very grateful for the experience. It made for a very interesting weekend. I think all the kids had a great time and will be looking forward to next year.
Labels: judy blank, music, suzuki, violin, workshop
October Violin Practice Challenge
11 CommentsBy Lostcheerio on Tuesday, October 02, 2007 at 3:27 PM.
It's October! The glow of the new semester has dulled somewhat, the crunch for holiday recitals has not yet begun, and everyone would rather think about cider and Halloween. The violins are still coming out, but they're coming out with a tiny bit less joy than they came out in September, and a tiny bit less urgency than they will come out in November, I predict. Still, Dr. Suzuki says we should only practice on the days that we eat!
Time for the first and only, spookeriffic, autumnimous Little Blue School Violin Practice Challenge!
First, print out the practice chart:
At the end of the month, you can print out this certificate, get the appropriate name, number of practices, and signatures in place, and award it to the stellar violinist(s) in your family.
Here's a side note: I am working on putting together a page linking to as many YouTube videos of Suzuki violin students as I can find. Sort of a virtual concert. Do you have one? Let me know! My email address is jackets at rpsd.com. Spread the word!
Time for the first and only, spookeriffic, autumnimous Little Blue School Violin Practice Challenge!
First, print out the practice chart:
PDF Version Large JPG Version
Remember to choose "Landscape"
Choose "Shrink to Fit" when printing the JPG
At the end of the month, you can print out this certificate, get the appropriate name, number of practices, and signatures in place, and award it to the stellar violinist(s) in your family.
PDF Version Large JPG Version
Remember to choose "Landscape"
Choose "Shrink to Fit" when printing the JPG
Here's a side note: I am working on putting together a page linking to as many YouTube videos of Suzuki violin students as I can find. Sort of a virtual concert. Do you have one? Let me know! My email address is jackets at rpsd.com. Spread the word!
Labels: challenge, halloween, music, october, practice, printables, suzuki, violin
